Free promotional mp3 downloads – jazz and world music. The main idea here is actually a question: how would the blues sound if the fundamental rhythmic. Listen to blues radio online with unlimited skips. When you need the sound of the blues, choose AccuRadio's selection of free music stations! Plus old-time gospel. Track List • Reverend Gary Davis: I Am The Light (3:01) • Blind Willie Johnson: I Know His Blood Can Make Me Whole (3:02) • Mississippi John Hurt: Praying On The Old Camp Ground (2:35) • Bukka White: The Promise True And Grand (3:03) • Rev. Although the blues and gospel music of the African American in the pre-war era seem quite distinct, they were essentially two sides of the same coin. Both genres shared the same longing for a better life and an almost blind hope in deliverance and redemption. The musical influence of the church was profound on many blues singers, as this was often where they started out. Many early bluesmen would freely switch between playing blues and gospel and it was not uncommon for artists to go back and forth between careers as preachers and blues performers. Ultimately famed for his ‘devil’s music’, Blind Lemon Jefferson's version of ‘All I Want Is That Pure Religion’ was one of two recordings from his first session in 1926 which were gospel songs, released under the name Deacon L. Later that year Blind Joe Taggart and Edward W. Clayborn were the first genuine guitar evangelists to record. Clayborn only performed gospel tunes but Taggart also recorded secular music under a number of different pseudonyms. The success of these early recordings led to other singer-guitarists being sought out and recorded. Like the itinerant bluesmen, the guitar evangelists had to ply their trade on street corners and anywhere that would allow them to scrape a meagre living together. One such artist was Blind Willie Johnson who, although a devout Christian performing only religious material, became a seminal figure in the history of the blues. Free Blues Gospel Mp3 SongsFrom the dazzling slide guitar playing and earthy, pained vocals on Johnson’s extraordinary recordings one can draw an obvious musical comparison with the blues. It is, however, the shared subject matter of human struggle that connects the blues and gospel which resonates at the deepest level. After Johnson’s initial recordings sold very well, many star bluesmen of the time such as Barbecue Bob and Charley Patton followed suit with versions of Negro spirituals, often credited under pseudonyms in order not to offend the church. Undoubtedly, the most technically adept of the true guitar evangelists was Reverend Gary Davis, whose incredible ragtime-infused style has been a huge inspiration to guitar fingerpickers ever since. Davis was an important inspiration to the folk music revival alongside other featured bluesmen such as Skip James (who was later ordained as a minister), Mississippi John Hurt and Bukka White, all of whom had recorded a small number of spirituals and were given a new lease of life in the 1960s. Josh white was another and here he teams up with Blind Joe Taggart, a man whom he later described as ‘tricky, nasty and mean’. The pointed ‘Scandalous And A Shame’ was his first popular Paramount recording. Blind Willie McTell was an active preacher later in life playing only religious material but sadly died a few years too early to benefit from the 1960s blues revival. It has been said that the ‘Queen Of Country Blues’ Memphis Minnie only once went to church to see a gospel group perform, but you wouldn’t know this when hearing her take on ‘Let Me Ride’ which evokes the mood and fervour of Southern black worship. Likewise, many of Bessie Smith’s classic blues songs have a hymn-like quality as a result of the fusion of the sacred and the secular in her delivery. Her beautiful version of ‘On Revival Day’ undoubtedly reflects the dynamics she would have heard in the sacred songs in her childhood church. Less is known about Mother McCollum whose stompin’ masterpiece ‘Jesus Is My Air-O-plane’ displays her wonderful guitar-playing and soulful vocals. Dilwale dulhania le jayenge torrent. Like McCollum, little is known about several of the other featured artists that straddled the line between the Lord’s song and that of the blues, but all of these classic recordings illustrate how the line separating them was very, very thin. Gospel slides are a real sweet addition to your rhythm skills, don't be too fussed about the theory, just use them because they sound great! Most of the Blues cats that came up with this stuff probably didn't know what they were doing, but I think it really helps to explore the 'why stuff works' if you enjoy that kind of guitar thinking! ![]() ![]() The Theory Behind The Magic Ok, I know some of you are gong to ask. So lets take a little look at the theory. Just the basics, if you have not done my Practical Music Theory this might not make much sense, so you might want to check that out! The first and most commonly used shape - shown as the first G9 grip below, from thickest string to thinnest contains the notes x x F A D x which is the x, x, b7, 9, 5, x. Obviously the root and the 3rd are missing, but it sure spells a G9 chord. When you move the shape up 2 frets (one tone) and we name all the notes we get x x G B E x, which is the x x R, 3, 6, x which is a G6 chord but missing the 5th. By analysing the notes and relationship to the root, we can understand as well as hear and play the concept! Hopefully you theory boffins are digging this - it's kinda cool how one shape can be two different chords:) The chord grips in this lesson are found below. Backing Track Here is the Blues in G Backing track for you to practice with! I kept this one pretty straight so you can really work in those extended chords, and make sure you are using all the 7th chords we did in the last lesson too! It does use a 'Quick Change' still, but that's the only sequence variation. By You can download the 13 track set of mp3's for this series for £5 (approx $8) ( - they are also included on the for £15 (approx $25) of this series which comes with 3 bonus lessons (44 minutes worth!) and a pdf booklet. Chart Extras So many many chords. So little time:) the 'pairs' are under each other. Free Download Gospel Music SongsAiohow.org is Media search engine and does not host any files, No media files are indexed hosted cached or stored on our server, They are located on soundcloud and Youtube, We only help you to search the link source to the other server. Aiohow.org is not responsible for third party website content. It is illegal for you to distribute copyrighted files without permission. The media files you download with aiohow.org must be for time shifting, personal, private, non commercial use only and remove the files after listening. If one of this file is your intelectual property (copyright infringement) or child pornography / immature sounds, please or email to info[at]aiohow.org to us. Genre: Blues Gospel, Blues Rock Year: 2017 Audio codec: MP3 Riptype: tracks Bitrate: 320 kbps Playtime: 01:00:17 Site: Tracklist: 01. Big Chris & D’Bare Bones Band – When Your Time Comes (2:48) 02. Barb Maxey – Day By Day (4:14) 03. Bob Birthisel – Walkin’ (To The Beat Of The Lord) (3:47) 04. Mandy Brooks – God Don’t Ever Change (3:20) 05. Terry Fellers – Lay Your Hands Upon The Rock (3:07) 06. Terry Fellers – He’s Alive He’s Alive (2:24) 07. Free Blues Gospel Mp3 MusicWily Bo Walker – Long Way To Heaven (Feat. The Brown Sisters Of Chicago) (4:12) 08.
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